NEW STEP BY STEP MAP FOR RUSSIAN CREAM BACKWOODS 0 4

Notions of looking and voyeurism are resolved spatially and architecturally in “Good For Me.” Within this sequence, swooping lines develop a type of peephole result that reveals Mundt in two distinctive poses: adopting the posture of Toulouse-Lautrec’s product and tugging at her belly. This gesture, which seems in other paintings from the exh